Case study · Premium B2B event · 9 years at EBG

Digital Benchmark Berlin
for EBG

9 seasonsConsecutive at EBG
3 editionsLondon, Barcelona, Berlin
850+ paxEuropean decision-makers
20m³Equipment transported

In brief

Context

Technical direction of the Digital Benchmark for the EBG (Electronic Business Group) in Berlin, a premium B2B event bringing together over 850 European decision-makers. 9 consecutive seasons at EBG, 3 international editions (London, Barcelona, Berlin).

Challenge

Transporting and deploying 20m³ of equipment abroad. Setting up a complete system in a venue not pre-equipped for AV. Several plenary halls and simultaneous workshops to fit out. Holding a premium standard expected by an audience of European investors and executives.

Solution

Full on-site technical direction. International logistics. Multi-room filming, sound, video and live coordinated from a central gallery. Close coordination with EBG teams beforehand and on site.

Outcome

9 years of consecutive collaboration with EBG. Renewed every season. The Digital Benchmark format was rolled out abroad over 3 editions, including Berlin.

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Context

EBG (Electronic Business Group) is France's leading think-tank on digital innovation. 660 member companies, more than 110,000 active professionals. Beyond its Task Forces and monthly conferences, EBG runs several yearly events that bring together the European digital ecosystem.

I was the EBG's technical director for nine consecutive seasons, across their full event calendar: Digital Innovation, Digital Performances, Annual General Meeting, EBG 500 dinners, and the flagship series of three international editions of the Digital Benchmark: London in 2017, Barcelona in 2018, and Berlin from 22 to 24 May 2019 at the bcc Berlin Congress Center.

The Digital Benchmark Berlin gathered over 850 European digital decision-makers (CMOs, CDOs, Ecommerce Managers, Heads of Social Media, Innovation Directors) over three days of invitation-only event, with keynotes, international panels, dozens of workshops, one-to-one business meetings and two gala dinners.

My role: overall technical direction

On this event, I wasn't a camera operator or an isolated technician. I was the technical director, commissioned directly by EBG. My role covered the entire technical setup of the event: plenaries in the main hall, dozens of workshops spread across the secondary rooms, exhibition hall with partner booths, evenings and gala dinners, video filming and reportage.

I worked as a team with Alexis Drapier directing the reportage and interview unit, and with a local English-speaking technical company based in Berlin for the on-site equipment supply and operational interventions. Upstream logistics coordination was co-organised with the EBG project lead.

Constraints

The setup

Scope of the technical direction

  • Plenaries: video filming setup for keynotes and international panels in the main plenary hall of the bcc Berlin Congress Center
  • Parallel workshops: technical coordination of the dozens of workshops spread across secondary rooms, sound and video
  • Exhibition hall: technical setup for partner booths and one-to-one meeting areas
  • Reportage and interviews: alongside director Alexis Drapier, filming interviews with speakers and decision-makers in attendance
  • Evenings and gala dinners: technical setup for the two dinners and the opening night, sound and video
  • Local team coordination: running the German on-site technical team, integrating it with the French setup we shipped over

The logistics of an event abroad

Getting a complete technical setup out of France to redeploy in Berlin isn't trivial. A 20m³ truck transported all the French equipment from Paris to the Berlin Congress Center. That logistics chain is prepared weeks in advance with the EBG project lead: equipment inventory, loading plans, customs clearance, arrival and return scheduling, backup-equipment forecast.

On this kind of event, logistics demands precise anticipation. Equipment shipping and on-site verification have to be perfectly secured to guarantee the quality of the event in front of 850 European decision-makers. Across three successive international editions (London, Barcelona, Berlin) and nine seasons at EBG in total, that upstream logistics work became a well-rehearsed routine.

Working as a technical director, not as an operator

My role as technical director on this event wasn't to operate a camera or a switcher. It was to orchestrate the technical skills needed across the full perimeter. Choosing the right equipment for each space, making sure the local team and the French team worked in sync, anticipating scheduling conflicts between simultaneous workshops, validating technical choices with the EBG project lead.

That's exactly the kind of role that justifies multi-edition collaboration. Once an institution like EBG has found a trusted technical director, capable of absorbing their requirements without them having to repeat them every year, they have no reason to look elsewhere. Multi-season loyalty is the most solid metric for evaluating premium B2B service quality.

How it ran

Results

What I take away

Running technical direction on an event like the Digital Benchmark means accepting permanent demand. EBG isn't speaking to a family or general audience. These are European digital decision-makers, many coming from the tech or media industry themselves, they spot a poorly calibrated technical setup within the first hour of the event. The bar is at maximum.

What stayed with me across these nine EBG seasons is less the one-off feats than the duration of the trust. Three international editions (London, Barcelona, Berlin), dozens of Digital Performances, Annual General Meetings and EBG 500 dinners, without ever needing to renegotiate the contract or redefine expectations. That kind of long-term relationship is what separates a one-off event service from a partner technical direction.

On events of this calibre, a technical director's role is rarely visible. If everything works, no one talks about it. That's exactly the goal. Successful technique is the kind that fades behind the content, behind the encounters, behind the experience the organiser wants to offer their audience. That's what I went looking for across these nine EBG seasons.

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